Another approach has been taken by artist Damkanski. He just set up an unauthorized gallery called MoMAR that lives inside the recently-reopened museum from which it derives its name: "For its third iteration the MoMAR curators wanted to push the boundaries of the museum further, digitally intervening into the museum’s architecture more directly. Manuel Rossner’s contribution, Reef, reconfigures the room it “sits” in. The German artist, who primarily works in virtual reality, has created a colorful cavern that expands beyond the gallery’s wall. Rather than simply replacing a painting, it cannibalizes it, and in turn considers what environments—physical or digital—might be made within the white-walled constraints of the museum." Or what about using AR to reclaim history with site-specific context. Or: Artists reclaim sites using AR.
